Flip through the latest issue of Gulf Weekly.
Ewan McGregor: half man, half gerbil. This actor has always had, to my mind, something of a gerbilish look, which he plays up, in this supposedly erotic thriller, directed by feature first-timer Marcel Langenegger.
This could have been a satire of a spiritually dead London where urban wage-slaves grind back and forth to work on a crumbling underground system, crammed into carriages with, in TS Eliot's words, "only the growing terror of nothing to think about".
