Review

The Covenant
Director: Renny Harlin
Writer(s): J S Cardone  
Cast: Steven Strait, Laura Ramsey,
Sebastian Stan, Taylor Kitsch
Genre: Action/Horror/Thriller
Rating: PG-13
Runtime: 97mins

The Covenant stars, Steven Strait as Caleb, a sort of unofficial leader of The Sons of Ipswich (which we learn early on, gratefully, is not a boy band). The “sons” are, in fact, four young men with supernatural powers, directly descending from the witches of Puritan America. ‘The Covenant’ refers to an agreement between the families to keep the powers a secret as revelation inevitably leads to persecution. This secret, however, is horridly kept as it seems nearly every young, hot thing in the film (and there are plenty) seems to know about ‘The Sons’. Furthermore, when Caleb’s new girlfriend, Sarah, decides to research it appears to take her about five minutes to find out the truth.
It’s so hard to keep a secret these days.
Caleb, along with his buddies Reid, Pogue and Tyler soon find themselves face-to-face with a mysterious newcomer, Chase. It has long been said that there was a fifth family in The Covenant, however, the fifth young man had been murdered.
Director Renny Harlin has been a good director, which is what makes his forays into complete garbage such as The Covenant such an amazing disappointment. It is difficult to imagine that Harlin took a look at the dailies on this film and said to himself “Damn fine film”.
There’s simply no way. Even the opening credits are a disappointment, saved only by the presence of White Zombie’s More Human than Human.
 Special effects, especially in the film’s closing battles, are laughably bad and even the film’s editing seems a bit mismatched in three or four places. Screenwriter J S Cardone has penned several B movies, but here he manages to take a decent concept and beat it to death until all that’s left is a kiddie college version of a supernatural thriller. Likewise, Harlin makes use of nearly every supernatural thriller cliche’ in the book...dark lighting, rainy nights, spiders and that all too familiar suspense thriller musical score.
Only the modestly entertaining performances of Strait and Ramsey save this film from complete failure. That said, it’s hard to feel good when a couple “C” list actors are the highlight in a film directed by a former “A” list director.
“The Sons of Ipswich?” Maybe they should have been a boy band after all.
— Richard Propes